Showing posts with label lightroom. Show all posts
Showing posts with label lightroom. Show all posts

Space For Free


Nasa T-38

The Space Center Visitors Complex is free once a year for Brevard County residents.  So cool.  It's been many years since I've been there.  Always loved space as a kid and as an adult.  We had a such a great time.  Here are a few shots that I really liked.  The T-38 above was extremely backlit by the sun just over the vertical stabilizer.  Using the fill light slider on Lightroom2 makes quick work of this.

Astronaut Memorial With Clouds

I love this shot with the clouds reflecting in the memorial.  The astronauts listed in the foreground are from the Challenger disaster.

Throttle

Here's one of Hezekiah trying to land the lunar lander.  Thankfully they didn't have a 6 year old trying to do that.  It wasn't pretty.

And here are a few more that I liked.

Rocket Garden

Robots And Eli And Eli



Throw Up Your Rawkfist!



Being the great Dad that I am (at least that's what I'm told), I am raising up some future Rock Stars.

I was inspired by these awesome hats that we got yesterday.  They say Rock Star In Training.  I love it.  Hezekiah is always striking his rock pose. 

So I got a little edgy with the light.  Both lights are slightly behind so as not to fill in the entire face.  My umbrella is at camera left and a bare old Sunpak is camera right.

Gave it a high contrast black and white treatment in Light Room 2.

Window Display



In an attempt to at least occasionally shoot for the daily challenge at PhotoChallenge.org I went looking for a window display.  Actually the whole family went.  We packed up the car and went to downtown Melbourne, FL looking for the right one.  My wife suggested the year-round Christmas store.  Which normally would be a great choice but the time of day wasn't very good.  The reflections in the window were stinkin' up the joint. 

So we drove on down the street and she spotted this one.  Excellent.  I didn't really like the street reflection but it was reduced some as I worked on it in LR2.  The colors are great.


Hmm?

Hmm?

Here's a quick one that I captured tonight.  I used the preset "Matt's Vintage New York."  I like the muted tones.  I added a little brightness in the eyes to bring out some detail that went away when I applied the preset.

Just used my Vivitar into a shoot-thru umbrella.  I slowed the shutter speed down until the incandescent light burned into the background.

Be blessed.


My Girl

Slide

What a baby!  Oh I love this little one!  Just another one from the backyard.  Used a Lightroom preset called Steller Guru Greengold.  I really like the overexposed look.  But most of the presets go a little overboard.  I like to turn down the exposure just a little bit to recover a little detail in the highlights.




Vintage

Blanket

I am really liking LR2 and all of the presets that are available for it on the web.  These shots started as decent photographs with cool lighting IMHO.  But the colors are just too stinkin' accurate!  What?  It occurred to me as I was looking at various effects to apply to these shots that I spent a lot of money for a camera that has incredible resolution, low noise, and represents colors accurately.  Now I am undoing all of that.  What does that mean?! 

It reminds me of the tube vs. solid state debate in music circles.  I have to admit that I used to be a solid state guy until I played my '74 Strat through a Fender tube amp.  It just does sound better.  I know as an engineer these days that it has to do with the harmonic content of the signals as you overdrive the devices.  Odd harmonics from tubes and even harmonics from solid state.  But that's a debate for a different time.

Anyway, I suppose that all that matters is the end creation.  Use whatever tools and techniques necessary to produce the outcome that you have visualized.

So the lighting is this: I have a home-made foamcore snoot on my 285HV @ 1/4 power for the key light, and for accent, my 540EZ, bare @ 1/32 power.

I found this great preset called "Matt's Polo/Ralph Lauren" available HERE.  I really like the desaturation and also the tone that is added. 


Mischievous




The First Wedding

Bridal Portrait Indoor by you.

So here they are.  Some of my favorites from shooting my first wedding.  I showed them to the happy couple today so now I'll show them to all both of you :).

IMG_9658 by you.

Bridal Portrait Indoor Smile by you.

I choose these because they are definitely my favorites but they also are indicative of the different techniques that I used during the afternoon and evening.  The bridal portraits above were all taken indoors in fairly low light.  The top portrait was taken in a corner where there were two large windows.  One camera left and one behind the subject.  This gives some great light.  Nice soft light for the face and great accent on the face and shoulder from behind. 

Preparation

This one is taken in the same area but the subject is now standing and we can see the bare bulb lamp and natural wood of the window frames behind her.  I like this one because the event took place in an awesome country house and this gives that feel.  And the rustic red walls go well with the blue in the flowers.

Bridal Portrait Outdoor

Falling

So next we have moved outside to the gazebo and I have broken out the Vivitar 285HV on a stand with my shoot-thru umbrella.  I underexposed the ambient by 1 1/2 to 2 stops so that the subjects pop.  And then bring up the flash power until I get a good exposure.  The shoot-thru allows you to get the flash very close to the subject which maximizes the power of the small strobe but also increases the apparent size of the light source.  This gives the nice soft transitions from highlight to shadow.

Bridal Dance

I have tried flash blur before without any success.  But I decided to try it again while the bride was on the dance floor.  I actually got a few shots that were good.  This is my favorite because the side of the bride's face is in focus but you get a sense of the motion of the clapping.  So I just really dragged the shutter here.  I got 1/8 of a second on this one.  So I would focus, start to rotate the camera, and press the shutter release while rotating the camera.

The Cake

So here is the cake smash.  For this I took advantage of the white ceiling of the front porch.  It was tight quarters with many people on the porch.  Not enough room to work my umbrella around so I fired my Vivitar into the ceiling.  I took one setup shot made an adjustment and took the rest.

I carried the stand with umbrella around a lot during the evening when shooting the special portraits.  But while I had light, I took many candids at ISO1600.  The noise reduction in LR2 took care of that and gives a great result. 

For processing I:
1) Did the noise reduction when needed.
2) Added some contrast by bringing up the black levels.
3) For the bride, I always \reduced the clarity slider a little for some added softness.
4) Added a little vibrance to bring out surrounding colors without affecting skin tones.
5) And added vignetting to taste.

That's about it.  It was a great experience.  They seemed happy.  I shot about 450 shots and processed a little over 200 keepers.  Wouldn't mind doing this again sometime I think.

Gimme Some Candy by you.

Be blessed.



Clam Shell

Look Closely

Here's a quick post about trying the clam shell technique.  I think I've seen it done with two soft boxes.  I don't have one so I used the shoot-thru umbrella for the top and a silver autoshade from Wal-Mart for the bottom.  It looks nice to me.  You can see both speculars in his eyes.  The umbrella was directly in front of and above him aiming down.  I was shooting in the small gap between the umbrella and the reflector.  It is a very flat, soft look with a slight shadow below the nose. 

I did a little touch up in Lightroom.  The clarity slider is really cool.  I backed that off just a bit to smooth the face.  Brought up the blacks a bit for some contrast.  Finally, just a bit of overall sharpening.